Greetings readers! I just got back from attending Genghis
Con, a great gaming convention held in Aurora, Colorado. This year I was one of
the convention’s guests of honor – the first time I’ve been to a convention as
a guest. The experience was extremely memorable and I had a wonderful time.
I’ve been to Genghis Con three years in a row now, and I’m always impressed
with the quality of the games held there. One thing that may be responsible for
the relatively high quality of the gamemasters at Genghis Con may be their
feedback sheet, a kind of “report card” that tracks how well GM’s perform
across the convention (and across multiple years).
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| One of the best gaming conventions I've ever been to. |
While I was going from game to game at Genghis Con this
year, I was trying to analyze why the games were so fun—to try and find some
common elements that I could use to enhance my own approach to running a game.
Among the elements that I observed was one that I found particularly
interesting: player empowerment.
My good friend Robert Dorf has a great story on this topic.
Robert has run games for decades, and his wife has been a part of many of those
games. Robert was once running a game at a convention where his wife was one of
the players. The adventure began with a giant monster attacking the city, and
the players – all superheroes – trying to defend the citizens. However, Robert’s
wife was having none of that! Instead, she announced that she was flying off to
find the “real crime.” When asked about this, she remarked “I know Robert.
Things like the giant monster attacking the city are /always/ a distraction for
the real crime that’s going on somewhere else.”
This question gives Robert an interesting choice to make.
The adventure as he envisioned it revolved around the attacking giant monster,
and naturally, he would love to have this wife’s character participate in that.
However, if he chooses to enforce his original vision, his wife is going to be
disappointed that there is no other crime going on and end up spending a great
deal of time chasing a red herring.
If Robert decides to alter his original plan and create a “real
crime” for his wife’s character to discover, he is empowering his players.
Robert’s wife feels as if she has figured something important out, that she has
“outsmarted” the GM in this case and thus her enjoyment of the game is
heightened.
When you empower the player, what’s really happening is that
you’re providing opportunities for the player’s choices to matter. Sometimes
this concept can change the entire thrust of an adventure, as described above.
Sometimes, it can be as simple as saying “Yes,” when the player asks “Is there
a fire extinguisher nearby?”
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| Basically, this. But cooler. |
Some games provide a resource that can be traded in for
player empowerment (especially with elements of the game that are of lower
stakes, such as the fire extinguisher example). These resources include Savage
Worlds’ “bennies,” WFRP and 40KRPG’s “fate points,” and “action points” or “hero
points” in Champions. Often, the existence of these resources gives the GM a
way to make the player’s desires a more meaningful choice… in other words, the
GM offers the player what he’s looking for in the game as a point of narrative
control in return for some of those resources previously mentioned.
In my opinion, player empowerment is more important than the
story. It is more important than the theme of the game and it is more important
than what the Game Master has planned. Granted, there are and should be limits
to player empowerment – if what a player is after actively harms fun for the
other players or if empowering the player will cause the GM to lose interest in
continuing to run the session or campaign, then it should be avoided.
When I was analyzing my games at Genghis Con, I realized
that one of the reasons I enjoyed those game so much is what my character was
able to accomplish – what my decisions had led to, within the framework of the
game’s overall story and the character’s role in that story. Defining the
character’s role is sometimes easy; many of the characters I played during
Genghis Con all had an easy set of complications, disadvantages, or personality
quirks that I could wrap my brain around and find fun things to use with during
the game.
Similarly, I wrote two adventures for Genghis Con that
followed this paradigm. First, I designed my Shadowrun game, All Elves Go to
Heaven. In All Elves, I made sure each pre-generated character had a solid
dramatic hook, a single narrative prompt that I could use to remind the player
about that character’s core identity and that the player could use to improvise
responses to the encounters in the game. One character was deeply in debt to
some very dangerous people, whilst another had to deal with a legacy of intense
racism against non-humans. By pointing these issues out at the very beginning
and highlighting them through the encounters of the game, these issues gained
the players some valuable payoff in the form of great roleplaying scenes that
they created in the final third of the session. I specifically designed the
adventure in this way to provide those opportunities for the players to make
meaningful choices about their characters and thus gain the benefits of player
empowerment.
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| Harvey Birdman has the power... of attorney! |
At Genghis Con, I had to re-write one adventure in a hurry
due to the fact that the prepared adventure I brought with me had already been
experienced by half the table! Genghis Con is a small convention and I see a
lot of familiar faces, and in this case, it was actually a good thing because
it got me thinking about how to apply principles of player empowerment to a
setting that I know extremely well – my very own creation, Shadows Angelus.
Thus, the Shadows Angelus game at Genghis Con evoked one core element for each
character and made sure that each element involves a choice for that character
to make during the game.
Player empowerment is actually quite simple and much easier
than many people believe; sometimes it can be as simple as glancing at a player’s
character sheet to examine the choices he made about his character from the
creation step. Other times, it can be a matter of listening to the players
during the session or campaign and finding ways to weave into the game the
things that each player finds important or interesting.
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| Remember. The key here is meaningful choices. Not the illusion of choice. |
Remember that empowering a player means that the player
feels as if he has made a meaningful choice – that what he has decided to do in
your game has some significant effect on the outcome of the story. That effect
can be small (a lucky placement of a fire extinguisher) or large (changing the
point of an entire adventure), but it always improves the player’s overall
enjoyment of the game. And isn’t the point of the game to have fun in the first
place? Let’s all try to maximize having fun – and if that is your goal, player
empowerment is a tool in the toolbox.
In the end, I strongly encourage game masters to make sure
the players feel empowered rather than just acting as guest stars in your
story.
